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Swipe Right, Spend Light: Keeping Virtual Romance Alive on a Budget

Description [[https://bit.ly/3UM2wMy Signs Men Look For Before Approaching]] [[https://bit.ly/3UMKNEQ It’s Okay Not To Fight For Your Girl]] [[https://bit.ly/3YN2JAt I Have No White Friends]] [[https://bit.ly/3Z0kVYl When Romance Gets Real]] [[https://bit.ly/3AAz05E How Fashion Trends Test Masculinity and Memory]] [[https://bit.ly/3ABOuGt Getting Ready for ‘I Do’]] [[https://bit.ly/3UJKBGg Why Is It Hard For Men To Write About Sex?]] [[https://bit.ly/3Z0Fkwt Why Love Means Tolerating Each Other's Quirks]] [[https://bit.ly/4hXZyyH When Love Escapes Us.]] Maybe they’ll explicitly say “rap music killed him.” Maybe they’ll be dangerously (and lazily) racist, using terms like “thug music” and making sure that, when they refer to rap music, they always put “music” in quotes. Or maybe they’ll be more subtle, using terms like “helped cultivate a nihilistic environment” and “reinforced a culture of learned helplessness.” Maybe they’ll even appear to be conflicted about what they’re saying by beginning a piece with a paragraph letting everyone know they enjoy rap music too, and proving their rap cred by name-dropping J Dilla and Talib Kweli. Maybe, as happened during Michael David Dunn’s trial for Jordan Davis’s murder, someone will imply that a rap song has any blame whatsoever for the cowardly, murderous intent that causes a man to shoot multiple times at a truck despite no reason to fear for his safety and also have such a callous disregard for life that he orders a pizza afterwards. Anyway, it will happen again. And when it does, when someone tries again to put rap music on trial instead of the actual murderer—or the justice system, or income inequality, or substandard schools, or the prison-industrial complex, or how “the irrelevance of black life has been drilled into this country since its infancy,” or anyone or anything else that may have had an actual, tangible influence on the crime—by asking or implying “Did rap music cause this murder?”, my answer then will be the same as it is now: Fuck no. In the 10 years since The College Dropout dropped, Kanye West has gone from a guy whose name I used to pronounce Kay-Knee to arguably my favorite rapper (it’s either him or Ghostface) and inarguably the most important person in music today. He is, at this point in his career, cultural icon, cultural arbiter, cultural thermometer, and Kardashian concubine; a singular zeitgeist whose talent is matched by his talent’s ability to partition. But which Kanye album is the best?
Début de l'événement 20.11.2021
Fin de l'événement 22.11.2021
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